Madi Acharya-Baskerville is an Asian born diaspora artist, living and working in the UK. Broadly speaking, the themes explored in her work range from environmental concerns, migration and exile and gender issues. What unites them is the found element, matter that already exists around us, an enduring reflection of the human condition. Her practice involves the synthesis of unlikely elements which she sources from different locations, the coastline, woodlands and vintage markets. Using objects, textiles, song, conversation and magazine cuttings which resonate with her on some level, she creates works which move fluidly between different media. Some of the materials have had a past life such as wooden panels previously part of furniture or embroidered textiles which have seen better occasions. Through joyous transformative processes these objects and materials are reborn as part of something new.
Work & Process- A film by Nicola Josse about my work
News
Recipient of National Lottery Project Grant from Arts Council England for the project 'I Dream a Palace', The Lightbox, Woking
'I Dream a Palace' A blog about my recent residency and commission with 20/20 Project, University of Arts, London
Selected for UAL Decolonising Art Institute 20/20 Program, Residency at Lightbox, Woking as part of this
Winner of First Plinth Award 2023, Royal Society of Sculptors
Winner of The Primary Residency Prize awarded following selection for New Art Exchange Open 2023
Current/ upcoming Exhibitions/ Events
The Double Act, The Arthouse, Wakefield, until July 2025
Watch a film about the making of the Double Act
Recent Texts/ Interviews
'I Dream a Palace' exhibition catalogue includes 'Thinking Aloud in Pattern' an essay by Sarah Shin
Download catalogue (PDF)
Watch the film 'Dream a Palace'
'What we leave behind' an essay by Uthra Rajgopal, Independent Curator and Writer Specialist in South Asian Textiles
'Something to do with Art' Interview for podcast by Robert Good
'I wish my hair was as long as yours' brochure includes 'Somewhere Else' an essay by Dr Stephanie Straine, Senior Curator of Modern and Contemporary Art at the National Galleries of Scotland, Edinburgh
Residency at Primary, Nottingham 2024